[S6E10] The Next World
Richard Nguyen of The Harvard Crimson points out that Spencer killing and burying his zombified mother, Deanna, grants him spiritual revitalization and emotional closure after the loss of his entire family.[6] Michonne tells him that family in the new world isn't about blood but bonds of experience.[5] Carl tells Michonne that Deanna needed to be killed by someone who loved her. Through this metaphor they say they love each other,[5] Carl, Michonne and Rick move toward a new iteration of family, and one that is stronger because of their history together.[7]
[S6E10] The Next World
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Gene Gosewehr (@WizrdofGoz), former creator and admin of Let There Be Movies, is now a writer and editor at Reel World Theology and a contributor to A Clear Lens, a blog and podcast on Christian worldview and apologetics. He is a deacon and preacher at his local congregation, as well as a husband and father of three.
The problem is, the law of averages, it turns out, can be somewhat fickle. In an unusual, though welcome bit of humor in this post-apocalyptic world, Rick and Daryl wind up losing the truck, only to get it back again, only to lose it again, get it back again, and finally lose it once and for all, watching helplessly as it sinks to the bottom of a lake. All of which works well as a metaphor for the balanced back and forth structure the episode as a whole offers.
Rick and Daryl arrive back at the town with an unconscious Paul who keeps flopping against Daryl. They briefly reference talking about finding other people at the quarry earlier this season, and Rick admits he was wrong then - they do need to find more survivors and forge their new world if they can.
"The Next World" opens with a brief time jump, touching on what Rick (Andrew Lincoln) tells an ailing Carl (Chandler Riggs) in the final moments of the previous episode, hoping to show him a "new world." In it, Alexandria has returned to a somewhat peaceful state with a now-recovering Carl. Instead of imminent zombie or rival group danger, Rick and Co. are in need of supplies for the community.
That's a match made in fan-service heaven. And, for that matter, a match made possible only by the death of Jessie last week. Let's face it, Jessie was never good for Rick. Michonne is a much, much better fit. Oh, and it was only last week for us that Jessie and her miserable offspring were ushered into the next world. In the world of The Walking Dead's sixth season, many weeks have past.
Whatever the case, Daryl was supposed to be watching Jesus, who they'd taken prisoner rather than leave to the zombies. But that doesn't stop the clever rogue from making his way into Rick's bedroom while he and Michonne sleep blissfully next to one another, naked under the sheets.
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While this is a rather sad moment, seeing Deanna in such a state, it's good for Spencer and the viewers to get some ironclad closure on her character. (And it was probably fun for Tovah Feldshuh to go through the Walker process.) But back at home, Michonne chastises Carl for doing something so reckless as leading Deanna's Walker through the woods instead of just killing it. The quickly maturing young man explains that whoever put her down needed to be someone who loved her, someone who was family; it's what Carl would do for Michonne. And after a moment's consideration, Michonne admits she'd do the same for Carl. This is what passes for familial love in the world of The Walking Dead and it's an oddly sweet scene.
Here's where the humor starts to come into play from all sorts of angles. There's Eugene's awkward-as-usual discourse on sorghum which is met with blank faces from Rick and Daryl, Rick's decision to blast music in the car to draw the Walkers away from home despite Daryl's obvious protests, and Rick blowing through a stop sign before backing up to the intersection and making a right turn. It's all played very straight, which feels so odd and alien in this world where most of the characters' waking lives are plagued with stress and horror. It's a little stilted, but it works well enough.
As for the moment of the episode that most people will likely be talking about Monday morning, that happens as Rick and Michonne are sharing a seat on the couch at the end of a long and trying day. If they weren't talking about putting the Walker version of the town's former leader out of her misery and losing a supply truck to the depths of a lake, the scene would play out like any network sitcom. In fact, Rick and Michonne seem so compatible that they might as well just kiss already, which they do. And then they quickly take their relationship to the next level. While this diverges from the comic books a bit, I'm personally a fan of #Richonne; I only worry that, with two of this show's untouchable Mary Sues now in a (presumably) strong relationship, the chances that one of them is going to suffer a horrific tragedy just jumped up a few notches.
With AMC's The Walking Dead set to return for "Part 2" of its 11th & final season next month, viewers' attentions are focused on what life will be like for our survivors in the Commonwealth as well as what the future has in store for the franchise. So with that in mind, series showrunner Angela Kang took a moment on Sunday to put things on pause and take us back in time to Season 6 Episode 10 "The Next World." Mor specifically, to that moment when "Richonne" was officially born. Yup, the scene where Rick (Andrew Lincoln) and Michonne (Danai Gurira) finally give in to their feelings. And all it took for Kang to share a look back at the script as well as some behind-the-scenes intel on the episode's production.
The Walking Dead returns with many of our heroes fighting imminent hellfire under Reaper attack; while others battle Mother Nature's torrential wrath in Alexandria. For all, their world is literally crashing down around them. Meanwhile, life in the Commonwealth is not as idyllic as it seems. For some, hope will be renewed. Others will be pushed past the point of no return. One truth holds tight: Lives hang in the balance with each decision drastically changing their future, their chances of survival, and the state of each community.
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